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Hollow Key Press is the imprint of multimedia artist & author, Evvie "Evvin" Marin,

publishing independent works in the intersection of the lyrical, the queer, and the esoteric. 

Releases:

Fortune's Inkwell:

An Interrobang Tarot Guidebook

 

Ebook 50% off  in the home shop.

Paperback      Kindle       Ingram

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Tidal Locks

& Other Tales You Told So Long

You Can't Tell What They Mean

Paperback      eBook

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Vanitas

& Other Sticky Kitsch

 

Paperback      eBook

Fortune's Inkwell: An Interrobang Tarot Guidebook

As guidebook to the decks, glyphs, spreads, and blog that comprise the Interrobang Tarot ecosystem, Fortune's Inkwell uses a one-room-schoolhouse approach to deliver innovative, irreverent, and advanced tarot material with the scaffolding of a warm and playful primer fit for readers and diviners of any level. Here, folk-esoterica and queer reversals braid together with practical approaches so grounded, they're underground. Designed with diverse creative misfits in mind, this book aims to support the reader's own crafty resilience, adaptive wisdom, and visionary experiences of the ever-evolving arcana. What is Fortune's gift? And who is the Nothing Key? Come enter the Bell House, sit down by the well, and find out….

Tidal Locks & Other Tales... 

Tidal Locks is a salty, playfully anachronistic glimpse into the private diaries of an irreverent contemplative and amiable recluse. An illustrated blend of fiction and confession, Marin’s poetry remixes the hallucinatory symbolism of folklore, natural history, occultism, and dream to explore the deep surrealism, haunted beauty, queer urgency, and mundane heartaches of waking life in a decaying world. 

We built this gate and kept it locked.

We tethered up and linked the knots

Until our knuckles polished down to bone.

We named the battened outfit Reassurance,

And we rested reassured we were alone . . .

​Tidal Locks blends melancholic brinewifery with gleeful, modern hipster trash in an attic’s stash of verse, written in secret over the course of fourteen years, published for the apocalypse.

Vanitas & Other Sticky Kitsch

Once upon the sixteenth and seventeenth centuries, Dutch elites commissioned master artists to paint lavish still lives of their riches, arranged nicely with human skulls, snuffed candles, rotting fruit, and other memento mori symbols. All this to recall that earthly life is ashen and senseless compared to the afterlife, so we’d best not get too precious about these fleeting, pretty things (preserved for all posterity in gilded frames above the banquet table.) The paintings were opulent, grim, Baroque, high-brow campy, and goth as Hell. So pious, it burns….

 

Vanitas & Other Sticky Kitsch rummages through the curio cupboards of haunted memory and macabre history. Let’s throw ourselves doomed searches for meaning in artifice, hedonism, and play-pretend psychometry. Let’s bum around with ghosts and call it research. Let’s find saucier ways to parade our confusion as we trace how we got here. Let’s follow the Dead Man’s Compass, locate ourselves within history, and chart surreal, new maps to follow. 

 

Let’s watch a rotting thing turn beautiful.

 

The poetry and illustrations in this collection meditate on decadence and vanity, in every possible sense of the word, but especially as it recalls the splendor, urgency, sweet futility, and brevity of life. Here lies decorative grief for the autumn of an ailing society, and for you who have Seen Things.

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